Modern Russian language and alphabet have a unique
mathematical and phonetic structure as have sacral number of vowel phonemes and
have the appropriate sacral number of vowel letters that forms linguistic system
which is unique in comparison with other modern languages and alphabets as each
letter corresponds to the certain phoneme.
Some other languages and alphabets too have a linguistic structure which
consists in identity of letters and phonemes.
Therefore letters of the Russian alphabet can be considered not only as
alphabetic symbols but also as mathematical marks which correspond to acoustic
parameters of sounds of human speech and determine psycho-physiological
perception of words. Namely if the human perception of
the world is caused by influence of acoustic and other physical waves
(vibrations) then letters are symbols which specify size of waves. It is
possible to speak that letters designate physical amplitudes according to which
the man perceives words.
The Russian alphabet has 10 vowel letters (if to take into account the letter
then 11 vowel letters
that is sacral number) which form a symmetric scale that is shown in figure:
![]() |
Figure shows a sequence of vowel letters which
corresponds to a sequence of letters in the alphabet, but the position
of letter Other position of letter |
Apparently in figure:
- the letter
is the iotated sound
and is symmetric to
the letter
;
- the letter
is the iotated sound
and is symmetric to the
letter
;
- the letter
is the iotated sound
and is symmetric to
the letter
;
- the letter
is the iotated sound
and is symmetric to
the letter
;
- the letter
is
symmetric to the letter
.
Also Russian language has 10 voiced consonant phonemes and 10 unvoiced
consonant phonemes that corresponds to number of voiced and unvoiced consonant
letters in the alphabet.
If
(iotated sound) concerns to
vowels;
(soft mark)
concerns to voiced consonants;
(firm mark) concerns
to unvoiced consonants then the Russian alphabet has three phonetic groups of
letters, in each of which there are 11 letters that is sacral number.
The information on sacral number 11 which is peculiar to the ancient
Phoenician alphabet and also is peculiar to the modern Russian alphabet, it is
given on 3rd page of this site section.
The following figure shows the table where lines specify phonetic parameters of
letters and correspond to three phonetic groups of the Russian alphabet, and
columns specify color conformity of letters:
![]() |
Vowel letters (vowel phonemes) have direct color
conformity, and consonants are put in conformity to vowels depending on
a sequence of letters in the alphabet. Namely positions of consonants in
cells of the table answer a sequence of letters which exists in the
modern Russian alphabet, and according to this sequence consonants are
correlated to colors of vowel letters. Colors of vowel letters can be counted as more depth, and colors of voiced and unvoiced consonants can be correlated to less depth shades of colors. |
The following figure shows law according to which vowel letters correspond with the spectrum of colors (spectrum of a rainbow):
![]() |
The letter
- letters - the letter - letters - the letter - the letter - the letter - the letter For comparison of Russian letters with vowel phonemes of the English language look the information on 8th page in this site section. |
The letter
forms an axis of grey color.
Letters
(purple) and
(red),
(pink) and
(orange),
(blue) and
(green),
(brown) and
(yellow) form pairs of appropriate iotated and non iotated phonemes that
is shown by arrows.
Letters
(red),
(dark blue) and
(yellow) form a triangle of the not mixed colors.
Letters
(violet),
(green) and
(orange) form a triangle of the mixed colors as violet color turns out
from mixture of red color with dark blue color, green color turns out from
mixture of dark blue color with yellow color, orange color turns out from
mixture of red color with yellow color.
The triangle of the mixed colors is interconnected to the triangle of the not
mixed colors:
- violet color is located between red and dark blue as is mixture of red and
dark blue colors;
- orange color is located between red and yellow as is mixture of red and yellow
colors;
- green color is located between dark blue and yellow as is mixture of dark blue
and yellow colors.
Letters
(purple) and
(brown) form an axis of
the darken colors.
Letters
(pink) and
(blue) form an axis of the lighten colors.
Letters
(red) and
(green),
(violet) and
(yellow),
(dark blue) and
(orange) are located opposite and form contrast pairs of colors and
sounds.
Letters
(pink) and
(blue), and also letters
(purple) and
(brown) are located
opposite but are not contrast pairs of colors and sounds.
Besides in the shown diagram it is possible to see many other color and sound
ratio.
In the shown spectral diagram, the mutual positions of letters are established
according to correlations of vowel phonemes which can be heard in Slavic
languages and alphabets. Namely positions of letters
in the top hemisphere and positions of letters
in the bottom hemisphere are caused by mutual correlations of the
appropriate phonemes in Slavic languages, that is possible to see in Cyril's
alphabet.
The ratio of the letter
with red color is indisputable and is emotionally unconditional, and
accordingly color conformity of letters
in the top hemisphere are unconditional.
In the bottom hemisphere is allowable to change places of pair letters
-
and
-
,
namely it is possible to assume that the letter
is brown, the letter
is yellow, the letter
is blue, the letter
is green, but nevertheless it seems to me that the shown color ratio are
correct as the sound
is oppressing and corresponds to yellow color which also is oppressing.
The letter
is conditionally compared to
grey color as from the phonetic point of view this letter means a sound involved
in iotated vowels
which correspond with
the darken and lighten colors, that is connected to intensity of grey color. But
actually in the range of a color spectrum between dark blue and violet there is
a mixed dark blue-violet color.
At more detailed differentiation of the color spectrum of a rainbow it is
possible to allocate a lot of color shades which can be compared to acoustic
shades of vowel sounds.
Between letters
(orange) and
(yellow) there can be a sound which corresponds to bright-citric color;
between letters
(red) and
(pink) there can be a
sound which corresponds to crimson color; and also between other letters there
can be sounds which correspond to more detailed differentiation of the color
spectrum but letters for such sounds in the Russian alphabet are absent.
Pay attention that between letters
(violet) and
(purple) there are invisible infra-red and ultra-violet colors which can
correspond to not heard infrasound and ultrasounds.
Color has psycho-physiological influence and consequently sounds of speech also
have similar influence on human mentality:
- letters
and
are stimulating as correspond to stimulating colors;
- letters
and
are vital as correspond to colors of a rising sun;
- letters
and
are oppressing as
correspond to colors of the moon;
- letters
and
are calming as correspond to colors of water and the sky;
- letters
and
are depressive as correspond to color of the night sky.
The given associative interrelations of color with natural phenomena are
conditional as actually color and sounds of speech have physical parameters
(size of waves) which influence human perception, but nevertheless natural
phenomena have colors which correspond to emotional impressions. Namely natural
phenomena have colors which are surprisingly identical to characteristics of
natural phenomena and influences human perception similarly to properties of
natural phenomena.
Thus, letters are meta-symbols which mean not only sounds of speech but also are
identified with many other phenomena of world around and have physical
parameters which are identical to physical parameters of the phenomena in world
around. When letters develop in words then there are combined symbols which are
identical to the complex phenomena of world around and consequently words cause
complex emotional impressions in human perception. It is possible to speak that
each word has the combined complex emotional amplitude according to which the
man perceives psycho-physiological influence of a word.
To understand and see emotional amplitudes of words it is possible to use visual
images in which letters are compared to colors and sequences of letters in words
are compared to geometrical figures, to what it is possible to apply a color
circle which is shown in the following figure:
![]() |
Figure shows a circle which is divided into 11 segments
and to each segment there correspond 3 letters which correspond with
color of a segment. One letter is a vowel, and two letters are a voiced
consonant and an unvoiced consonant which correspond with color of the
vowel letter. If to connect letters by lines in a sequence in which letters form words then it is possible to draw geometrical symbols of words. And if to paint a circle by colors which correspond to letters then it is possible to represent color symbols of words that allows to see visual images which are made in words and are the reason of emotional impressions which arise at perception of words. The additional information on geometrical symbols of words look on pages of other site: www.phantomgallery.64g.ru/coden.htm. |
For an example I bring to your attention visual images which form names of
people.
Visual images of names are computer images and are limited to computer colors
that allows to count colors as inexact but if it is necessary to see the valid
colors then exact spectral parameters of colors can be calculated.
|
Name: Sergey.
|
The principle of drawing of visual images
consists that the sequence of lines follows a sequence of letters and
last letter of a word is connected by a line to the first letter of a
word that forms the closed geometrical figure. |
Visual images of other Russian names are submitted in gallery:
DICTIONARY OF NAMES.
If there will be a necessity then it is possible to make the visual
dictionary of English names.
The gallery also has the numerological sums of letters and philosophical
categories which correspond to names provided that philosophical categories do
not concern to psychological characteristics of those people who have the listed
names, but specify emotional perception of names. And philosophical categories
are connected with numerological numbers differently rather than described on
the previous page of this site section as philosophical categories concern to
names of people:
- the first numerological number means:
TRUE as the Spirit
is a source of true;
- the second numerological number means:
BIRTH as the Son is
the spiritual beginning which is born;
- the third numerological number means:
CHILD;
- the fourth numerological number means:
DESIRE;
- the fifth numerological number means:
CREATION as creation
grows out transformations of substances;
- the sixth numerological number means:
SECRET or
KNOWLEDGE as
Implicit hides secret which the man aspires to know;
- the seventh numerological number means:
ENLIGHTENMENT;
- the eighth numerological number means:
PREDICTION or
INSIGHT as Obvious
is comprehended in a prediction;
- the ninth numerological number means:
GREATNESS;
- the tenth numerological number means:
DESTINY or
FORESIGHT as the
human Nature is predetermined by a divine foresight;
- the eleventh numerological number means:
LIFE as the Soul of
the man aspires to life;
- the numerological zero means:
FREEDOM as the
zero in numerology has no own value.
Degrees of numbers in gallery of names are not taken into account i.e. the
supreme values of numbers in a context of duodecimal numerology are considered
only.
The following page results the information about mantic features of letters.