Page 4.

The fourth page results the information about gematria of words, namely about geometrical perception of words and word collocations in a context of numerology. Probably, words gematria and geometry have identical etymology and consequently the term "gematria", known in Kabbalah, means geometrical methods for consideration of letters and words in numerology. And also the fourth page compares letters of the modern Russian alphabet to numbers of duodecimal system of calculations.

Numerology and figurative geometry of words.
Gematria of Russian language and duodecimal system of calculations.

The word "gematria" is a Kabalistic term which defines geometrical methods in numerology according to which letters and words are connected to geometrical images, namely values of letters and senses of words are connected to psycho-physiological conditions which geometrical images express.
Kabalistic gematria corresponds only with letters namely in Kabbalah forms of letters are considered as geometrical images, but words too can be considered from the view point of geometrical images, besides possible to consider figurative ratio not only letters, of which words consist, but also possible to consider figurative geometrical ratio of words in word collocations. Namely letters have numerical values that allows to summarize numerological values of letters and to calculate geometrical parameters of words.
For this purpose it is necessary to use the numerical square about which it is told below on this page, and also it is necessary to use the duodecimal numerical matrix of the modern Russian alphabet which is shown in the table:

The shown matrix of the Russian alphabet is duodecimal as there are 11 positions for arrangements of letters, and also there are three lines: - the top line of letters corresponds to units; - the middle line of letters corresponds to dozens (1 dozen = 12 units); - the bottom line of letters corresponds to grosses (1 gross = 12 dozens). The duodecimal matrix differs from decimal matrix of the Russian alphabet which is shown on the previous page of this site section. Similar duodecimal matrixes of letters and numbers are necessary for alphabets of other languages to calculate values of words in duodecimal numerology. The duodecimal numerological matrix for phonemes of the English language is shown on 8th page in this site section.

Above the table "decimal numerological figures" are shown and under the table "duodecimal numerological figures" are shown provided that signs X and Y mean additional figures which are necessary for duodecimal system of calculations.
According to the shown numerical matrix it is possible to calculate numerological sums of letters, and it is possible to calculate the sums by means of numbers in duodecimal system of calculations or by means of usual numbers in decimal system of calculations, but results of calculations should be considered in a context of duodecimal numerological system (duodecimal numerology) in which 11 numerological symbols are present, that differs from classical decimal numerology in which 9 numerological symbols are present.
For example, Russian word WORLD consists of three letters which decimal sum 3+10+7=20 and the duodecimal sum 3+X+7=18 or otherwise 1 dozen and 8 units i.e. decimal number 20 consists of 1 dozen and 8 units (20-12=8).
The difference between a decimal way of calculations and a duodecimal way of calculations has no basic value as to representation of results apply the numerical square in which decimal results will be transformed to duodecimal and duodecimal results will be transformed in decimal, that is shown in the following table:

The shown numerical square allows to transform numbers of decimal system of calculations to numbers of duodecimal system of calculations and consequently the results, received by means of different ways of calculations, are identical provided that results are produced in a geometrical view within the framework of the shown numerical square. For example, the word GEOMETRY has decimal numerological sum 4+6+5+3+6+9+7+10+11=61 and duodecimal numerological sum 4+6+5+3+6+9+7+X+Y=51, but within the framework of the numerical square both sums correspond to one cell provided that decimal numbers are written directly in cells and duodecimal figures are written on edges of the numerical square as the notation, and notations of horizontals correspond to dozens and notations of verticals correspond to units. Namely for decimal number 61 (six tens and one unit) corresponds a cell of the numerical square with number 61 which is on crossing of the fifth horizontal and the first vertical that corresponds to duodecimal number 51 (five dozens and one unit).

Or other example, the WORD has decimal numerological sum 8+2+5+3+5=23 (two ten and three units) and duodecimal numerological sum 8+2+5+3+5=1Y (one dozen and Y units). Or the AZBUKA has decimal numerological sum 1+9+2+10+1+1=24 (two ten and four units) and duodecimal numerological sum 1+9+2+X+1+1=20 (two dozens). In any case the decimal sums and the duodecimal sums correspond with identical cells of the numerical square.
Display of results of numerological calculations within the framework of the numerical square allows to present decimal numbers in a duodecimal kind due to what it is not necessary to think of different systems of calculations, but it is possible to calculate numerological sums any way and in a result the received results will correspond to necessary cells of the numerical square. Then it is possible to interpret numerological values of numbers and accordingly to interpret numerological values of words to which numbers correspond provided that duodecimal numbers and decimal numbers have different numerological values. Namely the essence of duodecimal numerology differs from traditional decimal numerology as two numerological systems have different quantity of signs.
The information about traditional decimal Pythagorean numerology look on pages of other site: www.numeralgame.64g.ru/en.htm in section about numerology. And it is possible to apply philosophical categories of the metalinguistic triangle which is shown on the second page of this site section to understanding of duodecimal numerology. Namely the right ascending side of the metalinguistic triangle has eleven stages which are comparable to numbers of duodecimal numerological system:
- the first number means: SPIRIT (the source of all being);
- the second number means: SON (a produced spiritual beginning);
- the third number means: CHILD (actual embodiment of spirit);
- the fourth number means: MATERIAL DESIRES (modifications of life);
- the fifth number means: TRANSFORMATION (transformation of substances);
- the sixth number means: IMPLICIT (illusory reality);
- the seventh number means: ENLIGHTENMENT (overcoming of border between implicit and obvious);
- the eighth number means: OBVIOUS (original reality);
- the ninth number means: GREATNESS (true comprehension);
- the tenth number means: ESSENCE (realization of spiritual predetermination);
- the eleventh number means: SOUL (absolute life).
As a matter of fact numbers of duodecimal numerology mean stages of development of human soul, and numbers of decimal numerology have other values which differ from values of numbers in duodecimal numerology.
The zero means increase of degrees of numbers both in decimal numerology and in duodecimal numerology. For example, number 100 can be considered as an increased degree of number 1.
Above the listed values of numbers are raised in a context of duodecimal numerology, but in daily life the listed values of numbers and philosophical categories have ordinary reflections which correspond with philosophical categories of the left descending side and the horizontal side of the metalinguistic triangle shown on the second page in this site section.
Namely in a field of the triangle there are lines which connect philosophical categories of three sides. According to these lines the raised and ordinary values of numerological numbers are shown according to degrees of numbers. For example, if the name of the man has numerological sum in which number 6 has an increased degree, namely has the third degree 600 and corresponds with the right ascending side of the triangle, then the man perceives illusions (illusiveness) of the concrete empirical world. If number 6 has the second degree 60 and corresponds with the horizontal side of the triangle then the man perceives natural ratio of world objects as in this case the number 6 corresponds with a philosophical category LAW or PEACE (normative regulation of human actions). If number 6 has the first degree 6 and corresponds with the left descending side of the triangle then the man perceives world around from the view point of individual moral principles as in this case number 6 corresponds with a philosophical category KINDNESS (moral benevolence).
More detailed information on degrees of numerological numbers and about numbers of duodecimal numerology in comparison with numbers of decimal numerology, and also the information on sides of metalinguistic triangle I shall try to publish in the future.
According to the listed values of numbers in duodecimal numerology it is possible to calculate philosophical values not only human names but also other words. For example, the word WORLD has decimal numerological sum 20 and duodecimal numerological sum 18 (look the numerical square for geometrical transformation of decimal and duodecimal numbers). Duodecimal number 18 means connection of concepts SPIRIT and OBVIOUS (if not to take into account degrees of numbers and to consider only raised values), that allows to imagine metalinguistic sense of the word.
The word WORLD write by means of different letters of the Slavic alphabet and consequently this word has three different senses which can be learned if to calculate numerological sums of Slavic letters.
Metalinguistic senses can be calculated for any words but values of negative (disgusting) words can be considered only from the view point of vulgar philosophy as psychological vibrations of negative words are worthless and mean vulgar senses. Also metalinguistic senses of everyday words are necessary for considering from the view point of daily "worldly philosophy".
It is possible to calculate metalinguistic senses not only words but also word collocations, for what it is necessary to calculate geometrical position of each word within the framework of the numerical square then it is possible to connect senses which words have in consciousness. And also it is possible to connect words by means of a geometrical line literally, as shown in the following figure:

Figure shows the geometrical ratio of words, and in essence shows the gematria of words WORLD and MANKIND that means connection of concepts: SPIRIT, OBVIOUS, MATERIAL DESIRES, SOUL. Namely the word WORLD has decimal numerological sum 20 and the word MANKIND has decimal numerological sum 59 that corresponds to duodecimal numbers 18 and 4Y which mean connection of concepts: SPIRIT, OBVIOUS, MATERIAL DESIRES, SOUL. Or it is possible to summarize the numerological sums of words and to consider total sums of word collocations. The combination of words WORLD and MANKIND has the common decimal sum 79 that corresponds to duodecimal number 67 which means connection of concepts IMPLICIT and ENLIGHTENMENT. These concepts (philosophical categories) can be interpreted as an opportunity of overcoming of illusory border which surrounds the human world, or there can be other interpretations dependent on contexts and foreshortenings from the view point of which the combination of words is considered.

Within the framework of the numerical square it is possible to consider not only word collocations but also sequences of words which make phraseological statements that allows to see gematria of phrases, namely geometrical figures or drawings of phrases. For example, it is possible to draw sequences of poetic words and to see images which form poetic words. In this case a field of the numerical square is conditional art space where poetic sequences of words form artistic images, that is lines of words cross art space of the numerical square according to numerological values (sizes of words) and form geometrical artistic images of words.
Or otherwise it is possible to tell that the numerical square is art space which is measured by numerological sizes, and lines mean consecutive ratio of words which coincide with art space according to metalinguistics of words.
The following three figures show geometrical images which are formed by poetic words of 116th psalm of David in the Russian version and 117th psalm in the English version:

Praise the LORD, all you nations; extol him, all you peoples. For great is his love toward us, and the faithfulness of the LORD endures forever. Praise the LORD. The first figure shows numerological conformity of words and cells of the numerical square, and also shows the lines which designate the sequence of words. For example, to the first word there correspond numbers 32(28), to the second word there correspond numbers 34(2X), to the third word there correspond numbers 17(15). Hence, the sequence of the first and second words is designated with a line which connects 32nd and 34th cells of the numerical square, and the sequence of the second and third word is designated with a line which connects 34th and 17th cells of the numerical square. Last word of a phrase is connected by a line to the first word of a phrase and as a result the sequence of lines forms the closed geometrical figure. The second figure shows a geometrical figure by dark lines, and shows by white lines as lines of a geometrical figure divide a field of the numerical square and accordingly cut art space. Namely white lines are continuation of dark lines and are alignments which divide the numerical square and form sections of art space. The third figure shows "figurative" art space where white and dark lines are not specified but the art space is divided by contrast grey colors concerning each line. Namely each line cuts art space on two sections, one of which is painted in grey color and the second is painted in white color provided that concerning a direction of lines, and in essence concerning a vector of a word sequence, the right part of art space is painted in grey color and the left part of art space is painted in white color. Grey and white colors have a transparency and consequently as a result of imposing color on color there is an increase of intensity of grey color in those places of art space where grey color is imposed more often, and there is an increase of intensity of white color in those places of art space where white color is imposed more often.

The shown figures are artistic images of words and consequently are expedient as an illustration of poetic words or verses. Or are expedient as an illustration of not ordinary words in which the philosophical sense is made.
There can be different art principles (methods) according to which images are drawn. For example, geometrical positions of words in cells of the numerical square and in a field of art space can specify epicenters of circles which are limited to art space and in which grey color increases intensity in regular intervals from the centre to periphery. Or any other principles of construction of images can be applied, but in any case it is necessary to connect images to a sequence of words and to coordinate with geometrical positions of words within the numerical square according to values of words in numerology.
In essence geometrical positions of words specify points of art space which can be designated by different artistic images, such as lines, circles or other abstract forms. And various images can be incorporated and directed on demonstration of any laws which can be seen in geometrical ratio of words.
Also artistic images can be color and can be connected to colors of words provided that colors of words depends on colors of letters and develops of combinations of paints to which letters are compared.
Color images allow to see emotional impressions of words, but grey color allows to see geometrical figures and in color images some geometrical contours are not appreciable as a result of mixture of paints.
At the end of this page I bring to your attention the color art compositions which are formed by words of David's psalms. Colors of words are determined with stressed vowels in the shown compositions, namely at calculations of colors I considered not all letters but only key letters of words.
The detailed information on color conformity of letters look on the following page of this site section.

Fragment of 95th psalm in the Russian version and fragment of 96th psalm in the English version. The fragment of the text consists of three phrases which are incorporated in one image. Sing to the LORD a new song; sing to the LORD, all the earth. Sing to the LORD, praise his name; proclaim his salvation day after day. Declare his glory among the nations, his marvelous deeds among all peoples.

Fragment of 18th psalm in the Russian version and fragment of 19th psalm in the English version. The fragment consists of four phrases which are shown in separate images, but each image is continuation previous. That is figure of the following phrase is imposed on figure of the previous phrase. The heavens declare the glory of God; the skies proclaim the work of his hands.

Day after day they pour forth speech; night after night they display knowledge.

There is no speech or language where their voice is not heard.

Their voice goes out into all the earth, their words to the ends of the world.   In essence not only phrases but also each word creates multiplication of the image and imposes own color on colors of previous words, and as a result colors of the image changes depending on colors of words.

Also I bring to your attention art compositions which are formed with words of 8th psalm and 66th psalm of David:

Fragment of 8th psalm. O LORD, our Lord, how majestic is your name in all the earth! You have set your glory above the heavens.

Fragment of 66th psalm in the Russian version and fragment of 67th psalm in the English version. May God be gracious to us and bless us and make his face shine upon us, Selah that your ways may be known on earth, your salvation among all nations. May the peoples praise you, O God; may all the peoples praise you.

The shown figures are artistic images, but nevertheless artistic images are visual embodiments of words and artistic images illustrate positions of words in geometrical space which symbolizes metaphysical space where psycho-physiological conditions are connected to gematria of words and are open.
The art method of the drawn images can be named "metalinguistic suprematism" as suprematism is an art movement focused on fundamental geometric forms and is the colors which fill in art space, and therefore the metalinguistic suprematism is geometric forms and colors which fill in art space according to metalinguistics of words.

The following page results the information on conformity of letters with colors of an iridescent spectrum (spectrum of rainbow).

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